can you vish?

 If you know me personally, you might also know that I am a regular at the International Film Festval of Kerala, held annually in December at Thiruvananthapuram (and if you don’t know me personally, just read the first sentence). A habit that started during my Thiruvananthapuram days in 2016, I look forward and try to attend the week long celebration of cinema - unless life or a killer virus gets in the way. Prologue Since the dates for the next fest are officially announced during the conclusion of the current fest, what follows is an year long wait. Nothing significant happens for the most part of the year, so let us skip ahead to November - when the registration opens for delegates. Yes, we know that there are over ten thousand delegate passes and registration window usually lasts days - still most of my friends (and I) hit the servers with a passion  until our registrations go through. Once that is done, the wait begins for the schedule to be released - where we would come...

I do have mixed opinions about this latest Rakshit Shetty outing, impressing at times and faltering at others, but I am not here to talk about that. Indian Cinema is going through an unprecedented time, where the cinema industries across regions are exploring multiple territories, and viewers are also receiving cross-cultural content with open arms. Many movies, especially from the regional industries of Telugu, Tamil, Kannada, and Malayalam are getting released with the new tag of ‘Pan-Indian’ cinema, dubbing them in various languages in order to reach more people. The most common and practical approach adopted is to shoot the movie in the native language (KGF in Kannada, RRR in Telugu, Vikram in Tamil, or Jana Gana Mana in Malayalam) and then dub them into three or four other languages. However, while doing this, what happens in only the dialogues get dubbed while several other linguistic indicators, for example, the billboard in the local language, are often lost in translation. Her...